In My Secret Life, Leonard Cohen, and Songwriting

In My Secret Life by Leonard Cohen.

In my secret life
In my secret life
In my secret life
In my secret life

I saw you this mornin’
You were movin’ so fast
Cant seem to loosen my grip
On the past

And I miss you so much
Theres no one in sight
And were still makin’ love

In my secret life
In my secret life

I smile when Im angry
I cheat and I lie
I do what I have to do
To get by

But I know what is wrong
And I know what is right
And Id die for the truth

In my secret life
In my secret life

Hold on, hold on, my brother
My sister, hold on tight
I finally got my orders
Ill be marching through the mornin’
Marchin’ through the night
Movin ‘cross the borders of my secret life

Looked through the paper
Makes you want to cry
Nobody cares if the people
Live or die
And the dealer wants you thinkin’
That its either black or white
Thank God its not that simple
In my secret life

I bite my lip
I buy what Im told
From the latest hit
To the wisdom of old

But Im always alone
And my heart is like ice
And its crowded and cold

In my secret life
In my secret life
In my secret life
In my secret life

This song has always meant a great deal to me.  The lyrics as usual, for Leonard Cohen, are masterful.  If you take a line or a couplet out of the song, there are a couple good ones, but they are fairly simple.  However, the way he builds imagery throughout the track means that the whole is greater than the sum of the parts.  Also those last verse lines leave the song with a sense that the narrator hasn’t resolved any his conflicts, other than to possibly live with his contradictions:

But I’m always alone
And my heart is like ice
And it’s crowded and cold

In my secret life

One will notice that a lot of great songwriters leave one with a sense of mystery, they leave things unresolved.  This allows a song to keep going, even once you are done listening.  It starts the imaginative process, but doesn’t fill in every blank, making the song yours as much as theirs.  It becomes something you can take out into your life with you.  Now there is a difference between performing that trick, and just being vague to the point of meaningless.  The best writers know how to give you enough to pull you in, but leave enough space for the imagination of the listener so that a song will register on a personal level.

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