Blonde On Blonde and the Elusive Nature of Art

Different Versions of Blonde On Blonde

Today I was listening to the mono version of Dylan’s Blonde On Blonde.  I then stumbled on the above article, which tries to document the different versions of that album and there reasons for being.  Even if you are not an audiophile, with truth be told, even though I love records, I am not, there are reasons why this should interest you.  Often we think of a piece of art as having a definitive version.  However with albums, there are slightly different versions in different countries.  Even in the same country, especially in the 60’s when it was common to have stereo and mono versions of the same record, there are different mixes, track listings, cover photos, etc.

Music isn’t the only art-form where there can be many different versions.  Many times painters or other kinds of visual artists will make more than one of a piece.  Japanese woodblock prints are a kind of art-form that were meant to have multiple versions.  The movie Alexander, by Oliver Stone, one of my favorite films, has the theatrical cut, the directors cut, and a sprawling two disc The Final Cut.

There is arguably a best version of a particular piece of art.  There may be an intended version of something.  However, there often isn’t a “definitive” version of something.  The movie Blade Runner is an interesting study.  There is the original theatrical cut and there is also a director’s cut, among other versions.  The director’s cut is obviously the intended version by the person that had the biggest hand in creating it.  However, I know many people that are passionate about this movie, that prefer the theatrical cut.  Which version would you deem “definitive”?

Art, like the human experience in general, can be hard to pin down.

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