Body Count- Talk S**t, Get Shot (Official Music Video)

BODY COUNT – Talk S**t, Get Shot (Official Music …: http://youtu.be/sokdL-0iV9s

Many of you won’t understand why I love this video.  I’d be lying if I said it doesn’t make me laugh every time I watch it.  It has questionable morals, but it is a fantasy.  It is the musical equivalent of a grind house movie.  The Ice man is creating a violent fantasy in which those that anonymously talk shit on the internet are hunted down and killed for their deeds.  It’s so over-the-top that for me it crosses over into the realm of comedy.  Also, in an age of PC plastic popstars, I am happy that Ice-T and his heavy metal band Body Count dare to go to insane lengths to offend.  The album as a whole ping pongs back and forth between absurd fantasy and astute social commentary.  It was Bob Dylan himself that compared Ice-T’s poetry to throwing horses over cliffs.  He is just having fun.  Whenever it is a damp, drizzly November in my soul, I can put on Body Count and find a cheap laugh and a twisted smile. 

If Richard Pryor Fronted a Metal Band

One of the albums I have been listening to is the new Body Count album, Manslaughter.   This is a ridiculously absurd album.  By lead singer Ice-T’s own admission this album is grindhouse.  It is meant to be over-the-top.   Songs about torture, black voodoo sex, and murder permeate the album.  However, this is absurdity with a purpose:  The record is meant to show how meaningless the modern recording industry is.  This album is a comedy record as well as a heavy metal record.  It is more laugh out loud funny than it is offensive, and that is by design.  Ice-T is just having fun. 

The riffs and songs in general don’t rise to the level of Body Count’s self titled debut.  However, anyone that liked that record will find enough to like here. 

“Guys have gone from ‘Fight the Power’ to ‘What does Kim Kardashian have on today?’  What the fuck is going on?”

Ice is telling dirty jokes and speaking truth to power, often at the same time.  On the song Pray for Death he imagines torturing a bully by splitting his nuts with a golf club. 

“America’s losing their cribs while you are bragging about the shit you did or shit you bought.  Most of it lies.  Yeah you know I know you know.”

It’s like if Slayer and Public Enemy made a record together.  In another era this album might be simply entertaining, but unfortunately it is one of the few records I have heard recently where it feels like something is on the line. 

Imagine if an angry Richard Pryor fronted an extreme metal band.  You’ll arrive somewhere close to where these proceedings go.  If that sounds at all interesting to you check it out.  If you have never heard Body Count start with their self titled debut.  If you like that album this is a worthy follow up.  

Body Count Vs. Americana

The other day I ordered Body Count’s Body Count album used from Amazon for a dollar.  The album, for those of you that don’t know, is a heavy metal album by a group of black musicians with Ice-T on vocals.  It is vulgar, offensive, brimming with intelligence in places, and it is funny as hell.  I only bring up the fact that they are black because the issue of race is such a big topic on the record.  For instance, the song There Goes the Neighborhood is about whites becoming afraid because black people are playing heavy metal and are showing up the whites.  Ice-T is singing in the voice of white people that are watching his band.  “That nigga played so good \ he stole my motherfucking girl \ there goes the neighborhood!”  There is also a song called KKK Bitch where Ice-T sneaks into a Klan rally and seduces the Grand Wizard’s daughter.  This album is both ridiculous and great.  We used to listen to this album a lot as kids and laugh and laugh. 

Bob Dylan once said something along the lines of Ice-T’s poetry was like throwing horses over cliffs.  He meant this as a good thing, that Ice-T was not messing about. 

Traveling with Shinyribs I have heard any number of Americana bands that define the term middle of the road.  Most of these bands are fronted by singers that couldn’t not sing a cliché if their life depended on it.  Dirt roads, whiskey, trucks, girls in trucks, broken hearts, etc., are all combined in what seems like one giant song of sameness.  This is all delivered over a bed of bland music that apes music from the past in the lamest way possible.  This is music by people that are just sensitive enough to let you know how they feel, but without any real courage to really expose themselves in any kind of real manner.  If you are going to try and make me cry, try to make me weep.  I swear to God if I hear one more guy sing about a dirt road in a sensitive voice I am going to put my head in a speaker and purposely make myself deaf. 

Maybe that’s why after all these years I am returning to the world of Body Count.  I want to hear someone that is throwing horses over cliffs.  I want to hear someone lay it down.  Use your guitar to make a sound that takes the paint off of a barn, expose your soul, say something funny or truly heartbreaking, take a chance and go out on a limb.  Just do something that is you and not a pale imitation of the past.  I don’t care if you play country music or heavy metal or electronic music.  I just want to hear something that lets me know how you see the world.  And that is totally fine if how you see the world is partially influenced by an out of control libido and you choose to sing about it in a song called Evil Dick.