I have been trying to avoid the early election shenanigans. The mutant right is constantly making headlines with total insanity. I don’t mean to infer that to condemn anyone that is a Republican. I am simply referring to the freak pack that seems in control of the national party at this point. (Scott Walker being one of the many in this realm.) I am someone that believes in voting. I don’t think voting is enough if you really care about what is going on. However, I don’t think disengaging from the political realm due to dissatisfaction is an option. I am not a big fan of the Clintons and would rather see someone like Bernie Sanders capture the nomination. Bill, in his term, was actually a rather right leaning corporatist Democrat that did many things that I believe harmed this country. (NAFTA, Telecommunications Act of 1996, and so on.) However, if you can’t see that there is a difference between Hillary Clinton and Ted Cruz, or Hillary Clinton and Scott Walker, than I don’t know what to tell you. (Those that believe that all politicians are the same only need to look at recent headlines having to do with Iran and then imagine what those headlines would look like if “Bomb,bomb,bomb, bomb, bomb Iran” John McCain had won in 2008.) But what I think is important is that it is okay to disengage until it matters. I don’t need to be paying attention to the right wing horse race, as I will certainly not be voting for anyone that wins that. I can’t help, in trying to keep up with the news, catching a headline or two. I mean I try to pay attention enough that if I am having a conversation with someone, I can refute whatever insane argument someone might be making on whatever policy issue, but having a deep emotional investment in who is ahead is only going to destroy my health, make me angry, and burn me out on this whole circus before there is really anything I can do about it. The news is really good at destroying one’s soul, only to have you speaking gibberish by the time it comes down to canvas for an issue or candidate you believe in. Also, please keep in mind that I am talking about ignoring the election and not what is going on in general. It is important, extremely important, that a citizen of a democracy stays informed. But at this point in the election cycle it is much more important to pay attention to what is going on, rather than who is saying what, if you get my drift. So try to keep abreast of current issues, but whenever a circus animal like Donald Trump gets paraded out on TV, instead of turning your mind into rat soup, exercise one of the very few freedoms you have and turn the damned thing off.
The ESPN series 30 For 30, available on Netflix, is really great. I think today I saw one of the best, if not the best. It was called Ghosts of Ole Miss and it covered the undefeated Ole Miss football team of 1962. More importantly, it also covered the bravery of James Meredith and the riots that ensued because of him being the first black student admitted to the University of Mississippi.
However, if this was just a documentary about history, I don’t think I would be writing about it. (Even though it is a completely enthralling piece of filmmaking that covers a time period that many Americans would like to forget.) For anyone that doesn’t understand the controversy surrounding the Confederate flag, or thinks that controversy is much to do over nothing, I think this is something you must watch. The film is also great at providing the missing link between the Civil War and modern day problems dealing with race. I also don’t think race is the only modern political situation this film is relevant to. At a time when we are seeing local and state politicians try to stand up to the federal government on the issue of gay marriage, one can’t help but see their historical counterparts in this film.
There is also a positive element to this film. Even though the film does not make the claim that all race issues are gone are settled in Mississippi, as they clearly aren’t there or anywhere else, the film does acknowledge that great strides have been made. As dark as the history showcased in this film is, there is hope that, over time, people can change.
The other day I mentioned that I was watching the David Milch created Luck. While reading more interviews with Milch I came upon this fascinating article. There is a mini-documntary here that you can watch about Milch’s Deadwood, one of the greatest shows of all time. You can also read the script for the documentary below if you don’t feel like watching it. It’s truly fascinating not only for the information about the show, but the ideas inherent in the show and therefore the documentary as well dealing with our country. The title above has to do with the idea that history is a, “lie agreed upon.” I found the following passage really interesting and a good sample of the kind of ideas inherent in the show and article:
He said, “An agreement that creates a community is an agreement upon an illusion, an agreement upon an intoxicant. Our founding document jumps off from, ‘We hold these truths to be self-evident,’ which to me means a frank agreement upon illusion – not that these are self-evident truths, but that we agree upon an illusion that these are fucking truths.”
Lately I’ve been diving back into the world of Michael Mann, culminating in his masterpiece Heat. I want to comment on that film at some point, but I’m still collecting ideas, putting my thoughts together. I have also been watching the show Luck, which was on HBO a couple years back. It’s a show that centers around a racetrack and the personalities that surround are a part of that world. Mann was a producer and director of the pilot. The show was created by David Milch who is one of the most interesting minds and greatest writers in television. Deadwood, a show he created, is one of the high-water marks of television for me. It is as close to Shakespeare as we are likely to see in our time. I think anyone that wants to understand our country should visit that show. Anyway, while looking up information on Luck, I found this interview with both Milch and Mann. It is short but fascinating.
As a huge fan of David Lynch and a growing fan of Nic Pizzolatto, writer of True Detective, I found the above article over at Slate an interesting read. A sample:
Some have already remarked on the fact that a street sign with the words “Mulholland Dr.” on it is prominently featured early on—indeed, there’s a big, fat close-up of it—in the first episode. Not only that, but the car passing by the sign in question is carrying the dead body of Ben Caspere, the city controller whose death sets off this season’s featured investigation, and the episode repeatedly cuts to its journey. In Mulholland Drive, the crash of the car in question set off the plot of thatmovie, and the film repeatedly cuts back to its journey. Also, we don’t know that the figure of Caspere is dead at first—he’s got sunglasses on and is sitting straight in the backseat, next to a not-entirely-un-Lynchian black crow mask, which of course will return in episode two.
My brother showed this to me today. It is a series of scenes from HBO’s Season 2 of True Detective. We laughed liked hyenas for the entire five minutes. Jet fucking black. I loved the fist season and this clip makes me want to see the second season like yesterday. It is an understatement to say there some really great lines. I’ve always liked Colin Farrell’s work, but he is entering a new land of sweetness here.